Turns out she has a good reason: she was actually raised in an orphanage there for a short while before being adopted by kindly midwestern farmers, and now wants to find her birth parents. When she hears that local pianist Myra Brooks (Victoria Hill) is in search of a chaperone to accompany her precocious but exceedingly talented teenage daughter Louise (Haley Lu Richardson) to New York to attend a prestigious dance school, Norma mysteriously jumps at the chance. When first met in 1922 in Wichita, Kansas, Norma seems like a nice, churchgoing lady of a certain age, respectably married to a lawyer (Campbell Scott) and mother of two practically grownup sons. Here, that parallax view is from the perspective of Norma – played by Lady Grantham herself, Elizabeth McGovern, taking a lead role for a change. Like so much of Fellowes’ work, it effectively flatters the viewer by assuming he or she must be familiar with certain historical figures (in this case, early cinema star Louise Brooks) and then appears to dish the dirt on them through the eyes of a character from another class or at least different social sphere. 5,725 Followers Click & Print preview 394 20 Add to Collection Description This is a new exotic shot gun from Destiny the taken King. Written by Julian Fellowes, who brought us Downton Abbey and recent series The Gilded Age, and directed by Michael Engler, who worked on both the aforementioned, this based-extremely-loosely-on-fact costume drama adapted from a novel by Laura Moriarty should hit the sweet spot for fans of Fellowes’ particular variety of saucy-soapy period pieces. My private site will be opening to the general public on 22 October 2011, next Saturday.
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